Her Royal Highness, the Queen, is still unwed despite being in her early thirties. Since she is an only daughter with no prospect of bearing a child in the foreseeable future, the royal succession is left in uncertainty when the current heir to the throne meets a sudden death. Seizing the opportunity afforded by this crisis, the conservative faction, which presently holds sway at the Court, begins plotting for the crown. Sensing the threat, the Queen secretly searches for a new Crown Prince outside the palace walls and discovers Lee Hu, a young man who has been making his living by delivering Chinese food, in complete ignorance of his royal heritage. Hu, who has never even dreamed of becoming the King, is unexpectedly ushered into the palace and subjected to strict training to become the royal heir. This is where the main action of “Prince Hours” begins. Lee Hu is forced to compete with Lee Jun, the perfect candidate for Crown Prince strongly backed by the extended royal family. The two young men vie for the royal succession as an intricate web of conflicts, plots, and schemes unfolds around them. This is a story about communication.Communication between friends, between men and women, between parents and children, between monarchs and subjects, between teachers and students...Based on the premise that Korea is a constitutional monarchy led by a queen, “Prince Hours” opens a new chapter in fusion fantasy historical drama. It seeks to explore in depth the idea of communication between people, as well as the repercussions of a breakdown in such communication.By introducing a protagonist from a simple, working-class background to palace life, the show endeavors to find common ground for communication that begins at vastly differing eye levels.If there are no “perfectly parallel” lines in the world, all lines must surely meet someday; conveying the hope for this future “intersection” is the new yet familiar objective of “Prince Hours.” This story is a fairy tale preserving our lost innocence.The fantasy of a utopia where all can enjoy equality and happiness has long since been shattered.Still, each of us retains the memory of a time when we were genuinely happy.Depicting the 21st century in a 19th-century-style setting, “Prince Hours” will take contemporary audiences on a journey to rediscovering the innocence we once had. This story uncovers our lost ideal of “noblesse oblige.”The tale, which opens during the reign of Korea’s first queen since the restoration of the monarchy, investigates the definition of leadership demanded by today’s society, and the essence of the “noblesse oblige” imposed on those who reach positions of leadership.As the country’s sovereign, the Queen must now ask herself what kind of example she must set for her people, and practice true leadership that transcends personal gratification.Suffering the growing pains attendant on his rebirth as the Crown Prince, the hapless young man who could barely take care of himself and his family must learn the deeper truth that with great privilege comes great responsibility and that sometimes one must give up one thing to obtain another.Rather than being completed individuals, these characters are leaders-in-progress who must yet undergo numerous mistakes and trials. They are also reflections of ourselves as we strive toward our respective goals.The understanding that noblesse oblige is not an obligation limited to a particular class but one that can be given to anyone, as well as a shared responsibility for all to uphold together?this is the ultimate destination of “Prince Hours.”